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VIOLIN SECTION
All Photographs by Katrin Talbot
Musician
profiles are in alphabetical order.
SUZANNE BEIA, Co-Concertmaster
Noteworthy: Pro Arte Quartet; Concertmaster:
Wisconsin Chamber Orchestra, Spoleto Festival Orchestra (USA), Bay Area Women's
Orchestra; Wichita Symphony and Orchestre Philharmonique de
Nice. Oddest practice quarters: On the train from Chicago to
Charleston. Funniest concert experience: During my solo debut with
an orchestra, the conductor, who had too much to drink, forgot to bring in the
orchestra after the cadenza. What your colleagues don't know about
you: I once fell asleep - literally - while playing repeated whole notes in
a slow contemporary piece. Recurrent musical fantasy: Finding it
necessary to take a leave from my job in the Metropolitan Opera Orchestra to
perform Berg's Lyric Suite with my quartet.
WENDY BUEHL
Noteworthy: BA in English-Secondary Education
and Masters degree in Music Education from UW-Madison; orchestra teacher at
Sherman Middle School in Madison. Oddest practice quarters: A very
small two-person canvas tent at Tower Hill State Park. Funniest
concert experience: A pianist played with the Madison Symphony Orchestra
whose encore was unforgettable: as she played, the pins from two of the lid
hinges came out and the lid came crashing down in the midst of the piece, but
she didn't miss a beat and got a standing ovation for her
efforts. What your colleagues don't know about you: I play bass,
tenor, alto, and soprano recorder which gives me an outlet for my love of
Renaissance and Medieval music. Recurrent musical fantasy: I dream
for the day when each person in our society supports and values the music
programs in our schools, and appreciates the contribution on music to the
development of the whole personality and intellect of each child.
XAVIER DEBLACK, Principal Violin II
Noteworthy: B.M. in Violin Performance,
Lawrence University. Awarded three "Premier Prix" (gold medals) with honors in
Violin Performance, Chamber Music Performance and Music Theory from music
conservatories in France. Funniest concert experience: Playing in
the orchestra for a symphony concert in France with American clown Buffo (Howard
Buten) as guest artist. What your colleagues don't know about you:
My wife Deanndra and I repair and rehair violin, viola, cello and bass bows. We
provide our services to orchestral musicians as well as teachers and students in
music schools. Recurrent musical fantasy: To assist at a
performance of Vivaldi's Concerto for Four Violins, in which the guest
soloists would be Gil Shaham, Hilary Hahn, Vadim Repin and Joshua
Bell! If I was John DeMain for a day: I would program Strauss's
Der Rosenkavalier Suite and Enesco's Roumanian Rhapsody No. 1 next
season.
WARREN EMERY
Noteworthy: Bachelor's and Master's degree in
accounting. Currently work in financial reporting systems for the UW Medical
School. Oddest practice quarters: In a roomette aboard the San
Francisco Zephyr (a passenger train). Funniest concert experience:
After running out of gas, I arrived at an MSO concert at 7:58, thinking I had
made it. My colleagues, however, had stopped warming up. As I walked on stage,
the audience started clapping, thinking I was the concertmaster.
Recurring musical fantasy: Composing wonderful sacred music like
Bach, Handel, and Mozart.
TYRONE GREIVE, Concertmaster
Noteworthy: Professor of Violin, UW-Madison;
extensive research and many recitals of Polish music, including a CD of Romantic
violin-piano works released in October 1999. Oddest practice
quarters: As a boy in the dining room with my pet parakeet riding on the
violin bow. Funniest concert experience: A tuxedo cumberbund
noisily fell to the floor while taking a bow at the very front of the stage
during a well-attended, formal recital. What your colleagues don't
know about you: I have a large HO model railroad layout in my
basement. Recurrent musical fantasy: To hear live performances of
some of the great legendary musicians of the past.
ANNE HATMAKER
Noteworthy: Performed in the Chicago Youth
Symphony Orchestra; participated in the Illinois All-State Honors Orchestra for
three years; concerto winner with the York High School
Symphony. Oddest practice quarters: In the car en route to a cable
TV taping. Funniest concert experience: When I was three years
old, I regularly performed for a community service organization's pancake
breakfast in exchange for pancakes. What your colleagues don't know
about you: I was active in gymnastics from childhood through high
school. If I were John DeMain for a day: I would have a concert
with the orchestra performing all Dave Matthews music.
TIM KAMPS
Noteworthy: Studied with Roland and Almita
Vamos at the Music Institute of Chicago, 1996-99; finalist in several
competitions including the Milwaukee Symphony's Young Artist Auditions in
1996-98; currently pursuing a B.A. in violin performance at
UW-Madison.
LEANNE KELSO LEAGUE, Associate Concertmaster
Noteworthy: Degrees from Florida State
University and University of Wisconsin; played in New World Symphony from
1996-1999; currently teaching and performing locally. Oddest practice
quarters: The tiny, windowless basement practice rooms in music schools
(including UW) strike me as very odd places to spend one's college
years. Funniest concert experience: Having a conductor knock my
music stand over, right into my lap, during an outdoor concert. The music blew
away, and we just kept playing while my stand partner ran to get the music, put
the stand up, etc. I don't really think anyone was listening as much as laughing
at the mishap. What your colleagues don't know about you: I love
early music, and enjoy playing the Baroque violin.
MARJORIE PETERS
Noteworthy: BA and MM in violin performance;
soloist with Kent State and UW Symphony as an undergrad; former member of Akron
Symphony. In 1981 my love for playing was abruptly halted by left hand paralysis
due to a broken disk. With surgery, therapy and great determination, I overcame
the handicap. I now teach privately, and play in a string quartet
trio. Oddest practice quarters: Watching it rain up to 17 inches
in Bangladesh while practicing for a recital (which did occur despite the
weather). What your colleagues don't know about you: Using a
computer and MIDI system, I arrange orchestra parts from a piano score to
accompany my son's trumpet solo with the Sacramento Symphony.
OLGA POMOLOVA, Assistant Concertmaster
Noteworthy: Gold medals at the high school,
university and conservatory levels in the Russian/Soviet educational
system. Oddest practice quarters: A basement room at the
Sverdlovsk Conservatory; it was also a favorite place for mosquitoes. I had only
one choice to survive: kill them. Then I lined them up on the piano keys; I had
one for each key! What your colleagues don't know about you: I
love the outdoors. I am an avid mushroom fanatic, and "fisherman," and I know
many kinds of healing herbs. Recurrent musical fantasy:To live in
the time of Heifetz, Rubinstein, Oistrakh, Horowitz and Maria Callas.
KATHRYN TAYLOR
Noteworthy: Bachelor of Music from University of Wyoming; Master's from Western Michigan U; currently MSO Music Librarian, member of con vivo!...music with life chamber music ensemble; teach violin with Suzuki Strings of Madison.
Funniest concert experience: While playing, my stand partner's bow went flying into the air. She caught it and barely missed a beat! Recurrent musical fantasy: To play in the Berlin Philharmonic with Herbert von Karajan conducting and the Vienna Philharmonic with Seiji Ozawa conducting.
GERI TOOLE
Noteworthy: B.M. in music education,
UW-Madison. Teacher at Waunakee Intermediate School; nominated for Wisconsin
Music Educator's Award, 2004. Funniest concert experience: In
spring 2005, during an intensely exciting ending of a Mahler symphony, I stabbed
my stand partner in the temple with the tip of my bow. He wasn't hurt, but he
nearly fell off his seat, and I was worried he would bleed to
death! What your colleagues don't know about you: I love to do
arts and crafts--paint, draw, crochet, cross-stitch--and I make all my Christmas
presents. Recurrent musical fantasy: To play the solo part in the
Bruch Scottish Fantasy with the MSO.
JON VRIESACKER
Noteworthy: Studied at Berklee College of Music
in Boston, received music degree from UW-Madison. Gunther Schuller recently
brought me to Washington to play at the Jazz Violin Summit with Johnny Frigo,
Matt Glaser and Johnny Gimble. Have recorded with Freedy Johnston, Willy Porter
and Garbage.
Oddest practice quarters: The turret of an Austrian
castle. Funniest concert experience: I got to an out-of-town show
and realized I had forgotten my violin, so I played the gig on a borrowed
mandolin. What your colleagues don't know about you: Most of the
gigs I play are improvised and non-classical. This year I recorded with two punk
bands, a country group, and a traditional Hmong singer.
ROLF WULFSBERG
Noteworthy: B.A. in English and Psychology from
Indiana University; freelance music engraver. Oddest practice
quarters: Aboard the Washington Island ferry in rough
waters. Funniest concert experience: Playing in a Scandinavian
fold band for a group of Lutheran clergy. I led off with the wrong tune, and the
band quickly fell apart. "That's sinning boldly!" I remarked, and the audience
and band erupted in laughter. What your colleagues don't know about
you: My other instrument is a Hardanger fiddle. Recurrent musical
fantasy: Playing "second guitar" backing up Stephane Grapelli and Django
Reinhart.
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